{"id":9521,"date":"2026-09-23T10:34:56","date_gmt":"2026-09-23T10:34:56","guid":{"rendered":"https:\/\/danielhorowitz.com\/blog\/?p=9521"},"modified":"2026-09-23T10:34:56","modified_gmt":"2026-09-23T10:34:56","slug":"la-mostra-de-venise-applaudit-le-hamas","status":"publish","type":"post","link":"https:\/\/danielhorowitz.com\/blog\/index.php\/2026\/09\/23\/la-mostra-de-venise-applaudit-le-hamas\/","title":{"rendered":"La Mostra de Venise applaudit le Hamas"},"content":{"rendered":"

Le film NAZA<\/em> n’est ni une enqu\u00eate ni une \u0153uvre de questionnement moral. C’est une pi\u00e8ce \u00e0 conviction pr\u00e9par\u00e9e pour une cause : faire compara\u00eetre l’arm\u00e9e isra\u00e9lienne devant l’opinion internationale, puis devant les tribunaux, en l’accusant d’avoir tu\u00e9 des civils par syst\u00e8me. La Mostra de Venise l’a r\u00e9compens\u00e9. Cela montre surtout qu’un certain milieu culturel europ\u00e9en est dispos\u00e9 \u00e0 tenir pour prouv\u00e9e toute accusation contre Isra\u00ebl, \u00e0 condition qu’elle soit port\u00e9e par des Isra\u00e9liens.<\/p>\n

C’est l\u00e0 que tient la m\u00e9thode de Yuval Abraham et Rachel Szor. Leur passeport sert de certificat d’authenticit\u00e9 : si des Isra\u00e9liens le disent, ce doit \u00eatre vrai. Mais ce statut n’apporte aucune preuve. Il sert \u00e0 d\u00e9sarmer la critique. Le film ne cherche pas \u00e0 comprendre comment Tsahal d\u00e9cide de frapper. Il veut installer l’id\u00e9e que c’est une institution criminelle, et que ses soldats en seraient les t\u00e9moins accabl\u00e9s.<\/p>\n

Pour y parvenir, il fallait faire dispara\u00eetre tout ce qui g\u00eane la th\u00e8se. Les r\u00e8gles d’engagement disparaissent en premier. Une frappe doit viser un objectif militaire. Aucune cible n’est autoris\u00e9e sans v\u00e9rification humaine. L’avantage militaire attendu doit \u00eatre mis en balance avec les dommages pr\u00e9visibles pour les civils, et l’attaque est \u00e9cart\u00e9e s’ils sont excessifs. Munition, point d’impact et heure sont choisis pour limiter les pertes. Des juristes militaires rendent des avis qui s’imposent aux commandants. Tout cela est public et document\u00e9. Le film n’en retient rien, ou si peu que le spectateur ressort persuad\u00e9 que ce cadre n’existe pas. Ce n’est pas un oubli : un film qui pr\u00e9tend juger des d\u00e9cisions de frappe ne peut pas ignorer par hasard les r\u00e8gles qui les encadrent.<\/p>\n

Le Hamas est le grand absent. Il a enterr\u00e9 ses tunnels sous des \u00e9coles et install\u00e9 ses postes de commandement dans des h\u00f4pitaux. Il tire depuis des immeubles d’habitation et fait de chaque civil gazaoui un bouclier. Sa strat\u00e9gie consiste \u00e0 produire des morts civils, puis \u00e0 les exhiber. Un film qui retire ce fait du tableau ne documente pas la guerre, il en r\u00e9\u00e9crit l’histoire. Il laisse un seul coupable, qui se trouve \u00eatre celui que les r\u00e9alisateurs avaient d\u00e9sign\u00e9 avant de tourner.<\/p>\n

Reste le raisonnement central du film : il y a eu beaucoup de morts, donc il y a eu crime. C’est l’argument de l’agitateur, pas celui de l’enqu\u00eateur. Pour qualifier une frappe, il faut \u00e9tablir ce qui \u00e9tait vis\u00e9, ce qui \u00e9tait su et ce qui \u00e9tait pr\u00e9visible au moment de la d\u00e9cision. Le bilan compt\u00e9 ensuite ne suffit pas. Abraham le sait : il d\u00e9fendait d\u00e9j\u00e0 cette th\u00e8se dans ses articles pour +972<\/em>, o\u00f9 il d\u00e9crivait une arm\u00e9e ayant confi\u00e9 ses cibles \u00e0 des algorithmes. NAZA<\/em> ne d\u00e9couvre rien. Il met en images une conclusion qu’il avait tir\u00e9e d’avance.<\/p>\n

Les t\u00e9moins, enfin. Ce sont des soldats et des agents du renseignement, pr\u00e9sent\u00e9s comme des lanceurs d’alerte. Or l’arm\u00e9e impose \u00e0 chacun de ses membres de signaler toute infraction qu’il constate ou soup\u00e7onne. Les proc\u00e9dures d’examen et d’enqu\u00eate existent. La question est simple : ces hommes les ont-ils utilis\u00e9es ? Et si oui, qu’ont-elles \u00e9tabli ? Le film ne r\u00e9pond pas. Il pr\u00e9f\u00e8re la cam\u00e9ra au dossier et l’\u00e9motion \u00e0 la v\u00e9rification. Une accusation qui refuse d’\u00eatre examin\u00e9e par ceux qui peuvent la v\u00e9rifier ne rel\u00e8ve plus du t\u00e9moignage. C’est de la propagande.<\/p>\n

Ce film cherche \u00e0 fissurer la confiance entre la soci\u00e9t\u00e9 isra\u00e9lienne et son arm\u00e9e. Il veut discr\u00e9diter Tsahal aupr\u00e8s de ses alli\u00e9s et fournir aux campagnes de sanctions et aux proc\u00e9dures internationales ce qu’elles r\u00e9clament : des accusations venues de l’int\u00e9rieur. Ce film collabo sert l’ennemi d’Isra\u00ebl. Le Hamas n’aurait pas pu produire mieux, ni obtenir pour sa version de la guerre une caution plus prestigieuse qu’un Lion v\u00e9nitien.<\/p>\n

Isra\u00ebl n’a pas \u00e0 s’excuser de se d\u00e9fendre, ni \u00e0 accepter que ses soldats soient jug\u00e9s par un montage. NAZA<\/em> ne demande pas justice pour les victimes. Le Hamas a sacrifi\u00e9 les civils de Gaza. NAZA<\/em> s’en sert apr\u00e8s leur mort.<\/p>\n","protected":false},"excerpt":{"rendered":"

Le film NAZA n’est ni une enqu\u00eate ni une \u0153uvre de questionnement moral. C’est une pi\u00e8ce \u00e0 conviction pr\u00e9par\u00e9e pour une cause : faire compara\u00eetre l’arm\u00e9e isra\u00e9lienne devant l’opinion internationale, puis devant les tribunaux, en l’accusant d’avoir tu\u00e9 des civils par syst\u00e8me. La Mostra de Venise l’a r\u00e9compens\u00e9. Cela montre surtout qu’un certain milieu culturel … Continue reading “La Mostra de Venise applaudit le Hamas”<\/span><\/a><\/p>\n","protected":false},"author":414,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-9521","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"yoast_head":"\nLa Mostra de Venise applaudit le Hamas - Blog Daniel Horowitz<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/danielhorowitz.com\/blog\/index.php\/2026\/09\/23\/la-mostra-de-venise-applaudit-le-hamas\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"La Mostra de Venise applaudit le Hamas - Blog Daniel Horowitz\" \/>\n<meta property=\"og:description\" content=\"Le film NAZA n’est ni une enqu\u00eate ni une \u0153uvre de questionnement moral. C’est une pi\u00e8ce \u00e0 conviction pr\u00e9par\u00e9e pour une cause : faire compara\u00eetre l’arm\u00e9e isra\u00e9lienne devant l’opinion internationale, puis devant les tribunaux, en l’accusant d’avoir tu\u00e9 des civils par syst\u00e8me. La Mostra de Venise l’a r\u00e9compens\u00e9. 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